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Special Interest Tourism - Activity
We have seen in the Presentation that there is a range of categories that we can use to analyse special interest tourism:
- Regional Tourism
- Cultural Tourism
- Heritage Tourism
- Rural Tourism
- Educational Tourism
- Cycle Tourism
- Aboriginal Cultures and Indigenous Tourism
- Travelling for Health
- Environmental Tourism
- Wine and Food Tourism
- The Cruise Experience
- Festivals and Events
- Seniors Tourism
We could find other categories to use. But one that we haven't listed above is that of 'dark' tourism. This is increasingly becoming a form of tourism that is attracting interest from academic researchers and the industry. Let's look at what is meant by the term 'dark tourism'.
What is Dark Tourism?
The act of travel and visitation to sites of death, disaster and the seemingly macabre.
(This definition is taken from the Dark Tourism Web site). (http://www.dark-tourism.org.uk/)
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What are the motives of tourists interested in visiting Dark Tourism sites? Is the growing number of Dark Tourism sites and attractions a response by the tourism industry to greater consumer interest? Or is it the other way around? Do people choose to visit Dark Tourism sites because a growing number of these sites are being promoted to tourists?
There has never been a shortage of Dark Tourism 'products' available throughout history. It could be argued that the first guided tour was a rail excursion arranged for the public to view the execution of two convicted murderers in Cornwall in 1838. Before that, there are accounts of groups of wealthy people travelling to Belgium at the time of the Battle of Waterloo in 1815. Some suggest that these tours actually took place during the battle itself!
When did 'tourists' start visiting the ruins of Pompeii? Image copyright: Alan Marvell, from IELIT.
Going further back in history, crowds flocked to public executions during the Medieval period. Further back still, the Romans used fights between individuals and wild animals to entertain the public at sites like the Colosseum in Rome.
In the modern era, though, it is thought that something different is taking place. People have always been keen to visit places where battles, massacres, evil deeds were carried out, as long as these events happened a reasonable time before their visit. Being close to a site associated with death seems to appeal to people in general.
In today's world, though, global communications technology allows death-related events to be reported, sometimes in 'real time', as they happen. Technology also allows these events to be repeated for viewing over and over again. This cuts the gap between the event itself and when and where it took place. Today's visitor to a site where macabre events took place might just have been encouraged to be there by the coverage of the events in the media.
Observers are unsure how to react to consumers of 'dark tourism' products; should we criticise visitors to areas of Thailand to view the sites devastated by the tsunami in 2004 for their lack of sensitivity? Or should we applaud them for contributing to tourism revenue and the gradual rebirth of these areas?
Similar arguments can be imagined over visits to other dark tourism sites, such as those to:
- Ground Zero, New York, the site of the destruction of the World Trade Center in 2001.
- The Herald of Free Enterprise ferry disaster off Zeebrugge in 1987.
- Areas of Belfast in Northern Ireland associated with terror attacks.
- The 'Killing Fields' of Cambodia, where about a third of the population was murdered by the Khmer Rouge in the mid-1970s.
The Dark Tourism Spectrum
Alcatraz - once a feared prison, now the most popular tourist attraction in San Francisco! Image copyright: Sheena Westwood, from IELIT.
For those students of travel and tourism interested in these locations and the motives of visitors travelling to them, it can be helpful to analyse the dark tourism product. The following Dark Tourism Spectrum illustrates such an analysis:
- Dark Fun Factories: These are commercially oriented, entertainment centres offering attractions and tours based on actual or fictional death and macabre incidents. Examples of dark fun factories include such family-friendly tourist attractions as the London Dungeon, Tower of London and Jack the Ripper tours. (http://www.jack-the-ripper-tour.com/)
- Dark Exhibitions: Tourism products that encourage educational reflection on death, suffering or the macabre. They also tend still to have a commercial focus, but are more aimed at commemorating the dark events on exhibition, than entertaining customers. Examples include the Smithsonian Museum of American History exhibit 'September 11: Bearing Witness to History', which contains very few artefacts (only 45 in total). The exhibit doesn't even show images of the airliners approaching and crashing into the Twin Towers. The museum prefers to use photographs of eyewitnesses to tell the story. (http://americanhistory.si.edu/september11/)
- Dark Dungeons: These are sites that mix entertainment with education ('edu-tainment') as they reveal sites of crime and punishment systems from history. The Galleries of Justice in Nottingham is an example of this type of tourism product, which has been promoted as 'the only site where you could be arrested, sentenced and executed'. Here the emphasis is more on entertainment, which contrasts with Robben Island, South Africa, where Nelson Mandela, among many other freedom fighters criminalised by the 'apartheid' system, were incarcerated. On Robben Island, where there has only been a short gap between the events that occurred there and the present day, visitors are encouraged to learn about the dangers of a philosophy which was based on the oppression of one group by another. (http://www.robben-island.org.za/))
- Dark Resting Places: Where a cemetery is seen as a potential tourism product. Tours, special interest groups and the spread of the Internet have led to growth in interest in these sites, where the living can feel literally 'close to the dead'. Seen as occupying the 'middle ground' of dark tourism, cemeteries such as Père-Lachaise in Paris (http://www.pere-lachaise.com/perelachaise.php?lang=en ) are used to commemorate the (often very famous) dead, such as Jim Morrison and Isadora Duncan. Other cemeteries also offer open space for recreational activities, exercise and relaxation. Dark resting places can also become the subject of battles between land owners and local people over the right to access the site, such as in the case of Arnos Vale in Bristol (http://www.bafhs.org.uk/arnos/arnomain1.htm). An almost exquisite irony can be seen in the way the living use places meant to bury the dead as centres to improve the life of communities. Opportunities exist for tourism planners to introduce more entertainment and commerciality into some of these sites, such as the American idea of 'dearly departed tours'.
- Dark Shrines: Based on the act of remembrance for the recently deceased. Dark shrines are often located close to or at the scene of a death, and usually within a short period after the incident which led to the death. Roadside tributes of flowers laid to commemorate death through traffic accidents have become increasingly popular in this country. Media-reported deaths of significance for people can also lead to similar informal tributes, as in the death of Diana, Princess of Wales. Initially non-commercialised, these dark shrines are often relocated and become far more commercially oriented, as in the Diana memorial at Althorp House, near Northampton, England (http://www.althorp.com/house/). Other examples are Ground Zero, New York (site of the Twin Towers of the World Trade Center, destroyed on what has become known as 9/11), also Marc Bolan's shrine at the spot where he died in a road accident in 1977. (http://en.wikipedia.org/wiki/Bolan%27s_Rock_Shrine)
- Dark Conflict Sites: War and battlefields fit into this category and their use as tourism sites have been known about for centuries. Tourists are recorded as having visited the scene of the Battle of Waterloo even as it was being fought in 1815. The battlefields of the First World War were also first visited soon after hostilities ended (http://www.firstworldwar.com/tours/firsttours.htm) (http://www.battlefield-tours.com/) and are now well established tourism venues, but their purpose is more about remembrance than celebration. Here, education is mixed with paying respect to those killed in conflict, locating the scene of relatives' deaths, and contemplating the meaning and value of death on a mass scale. But local authorities and entrepreneurs in more recent war zones may envy the business opportunities of commercial gain rather than learning.
Visiting a Nazi concentration camp must be one of the most disturbing tours you can take. Image copyright: John Beech, from IELIT.
- Dark Camps of Genocide: Seen as occupying the darkest edges of the dark tourism spectrum, death camps such as Auschwitz-Birkenau, Dachau (see Touring a Concentration Camp) http://www.spiegel.de/international/0,1518,338820,00.html) and Buchenwald attract thousands of visitors each year (600 000 people visit Auschwitz annually, Dachau 700 000 and Buchenwald 600 000). These tourist 'attractions' are as much about people's needs never to forget the evil perpetrated there, as they are about a commercial product.
Source: The Dark Tourism Product: Seven Dark Suppliers (taken from Stone P. (2006) A Dark Tourism Spectrum, accessed from the Dark Tourism Forum, January 18th 2007.
Tasks
- Choose one of the Seven Dark Suppliers of Dark Tourism products listed above. Describe why you think people are attracted to visiting the site.
- If you were to arrange travel for people interested in visiting the site you've chosen, what infrastructure would you be able to use? (For example, transport, accommodation, visitor centres and so on).
- Design a poster promoting the dark tourism product you've selected. Remember to pitch your message to the right audience and use appropriate language.
- Next time we shall be investigating dark tourism at Chernobyl, Ukraine, the site of the world's worst nuclear reactor disaster in 1986. Carry out some preparation for this session by using the following resources to find out more about how and why visitors may be attracted to travel to this location:
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